It happens to me all the time, especially on the freeway, I find myself stuck behind a large lumbering truck. Usually there’s the option of eventually overtaking it by moving into another lane going in the same direction.
But what about situations where there is only one lane available in your direction of travel, and an overtaking manoeuvre requires moving into the on-coming traffic lane?
A clear view of the road ahead, before attempting to move into the other lane, would be useful, to say the least, but sometimes such chances are far and few between. How about then attaching a widescreen monitor to the back of large vehicles, that projects an image of what lies ahead? Sounds like an idea worth looking into.
Let’s talk about tact: a noble virtue, a lost virtue, a very necessary virtue. Long gone, it seems, are the days when tact was common, or in which people behaved with thoughtfulness, discretion, and sensitivity. Long gone is the era wherein people generally minded their own goddamn business.
I sometimes find people who are tactless attempt to warn others of this by stating they are “opinionated”. They speak their mind, fair enough. Try giving an opinionated person a taste of their own medicine though. What’s good for the goose is good for the gander, right?
Don’t be so sure.
On the other hand, there are one or two people who struggle, or are, for whatever reasons reluctant, to express themselves in a direct fashion. Theirs is a world of silence and involuntary agreement. There has to be a happy balance between the two, right?
Propelled into marriage to a well meaning, though work focused doctor, Charles Bovary (Henry Lloyd-Hughes), Emma (Mia Wasikowska) soon tires of life in the quiet nineteenth century Normandy country town where they have settled, in Madame Bovary, trailer, the second feature of French-American filmmaker Sophie Barthes (“Cold Souls”).
In a bid to stave off boredom, the once virtuous convent student is soon fornicating with local men including Leon (Ezra Miller), and the Marquis of Andervilliers (Logan Marshall-Green), while racking up ever more debt with Monsieur Lheureux (Rhys Ifans), a manipulative merchant, who continues to extend credit to her and Charles.
Gustave Flaubert’s acclaimed 1856 novel of the same name saw the French writer charged with obscenity, such was the scandal it caused at the time. Barthes often lifeless adaptation however runs no risk of making waves. Its beautiful, and intricately fashioned, scenes will though be the envy of Instagrammers the world over.
Robots powered by artificial intelligence, and other similarly “smart” machines, stand to deprive many of us of jobs at some point in the future. The question for many then is, how long could I continue in my current line of work, before I need to re-skill?
Planet Money has put together a guide that estimates the likelihood of a particular role becoming automated over the next twenty years. Provided I continue working as a writer, there remains about a four percent chance that my job could be automated.
The library, or, more to the point tesseract, that existed in a mind boggling five dimensions that is, meaning the astronaut Cooper (Matthew McConaughey), could view every past moment that had played out in the room, from a single, if sprawling space, and also use gravity to tap out messages to his daughter, Murphy.
The film nerd in me was thinking that the scene must have been shot in a green-screen room, probably the size of an average garden shed, but much to my surprise, it was an actual set. How mind boggling is that?
The idea of the tesseract scene alone was so daunting to the filmmakers, Nolan and his special effects team procrastinated for months before trying to tackle how it might work. After months of concepting and model building the team opted for the unusual approach of using minimal digital effects in favor of fabricating a massive set which the actors could physically manipulate. A remarkable feat considering not only the complexity of the concepts depicted, but the cost and labor of building something so large.
At a little over two metres in length, by a bit more than one metre high, and weighing in at some sixty kilograms, it just might be a little too hefty to hit the road with though. The truck’s frame can also be used as a small wardrobe unit, and a bookcase.
New York City artist and illustrator Jason Polan has set himself an incredibly ambitious goal… to draw every person, that’s about eight and a half million people, in the city. There’s in the order of three and a half thousand people in the town where I’m writing this, and even drawing that number of people would seem like a monumental challenge.
I am trying to draw every person in New York. I will be drawing people everyday and posting as frequently as I can. It is possible that I will draw you without you knowing it. I draw in Subway stations and museums and restaurants and on street corners. I try not to be in the way when I am drawing or be too noticeable.