Australian INfront is indeed back.

Katerina Orlikova’s kaleidoscopes use fonts to create their psychedelic patterns.

Ask anyone what they like the best about going to an art show and most people will tell you it’s the opening night party.

And who can blame them, after all what better way is there to spend an evening, than enjoying some brand new art while partying?

So while from a show-goer’s point of view the opening night party seems like a straightforward process – placing a collection of artworks in a gallery and then laying on refreshments and live music – there’s a lot more to staging an exhibition, even a smaller show, than meets the eye.

Months, possibly years, of planning and organising go into some shows and their opening night party, so in the interests of imbuing the curious with an appreciation of the process, here it is, a step by step guide to planning and staging an exhibition.

Planning

You might be surprised at the amount of planning an exhibition requires. Factors such as venues, budgets, funding, sponsorship, advertising and promotion, catering, and possibly insurance, all need careful consideration.

Lead times can vary greatly as a result, with some shows taking a year or more to set up, while others can be arranged within a couple of months.

Budgets, sponsorship, and funding

Staging an exhibition can be expensive, and you will need to ensure you have sufficient funding, whether private, or through sponsorships, to cover the cost of things like catering, promotion, printing, and gallery space.

While established artists may be able to find sponsors to cover costs, as their larger following ensures a reasonable degree of exposure for their backers, new or emerging artists may not be so fortunate, and will have to rely on savings, or help from family or friends.

Check around though. It may be possible to obtain funding through arts grants, and sometimes municipal councils or community groups may offer some assistance staging a show, whether it be providing a venue, or publicity.

Artists at some exhibitions I have been to sometimes ask a for small (gold coin) contribution to help cover costs, a portion of which they usually donate to charity.

Finding a gallery

Gallery space is competitive, and can be hard to secure, especially if you want to exhibit at an established, well known, venue.

You will also need to weigh-up the amount, nature, and size, of work to be exhibited, against the availability of suitable galleries.

Other things to consider are whether the gallery operates on a commission basis, taking a percentage on works sold, or charges a fixed fee for holding a show.

Also, depending on your location, since regulations vary from place to place, are insurance matters, both public liability, and cover for items on show.

Look out also for alternative venues, such as cafes or bookshops for instance, which may offer wall space, and would surely be happy to collect a commission on any works sold.

Given the potential for publicity and custom, cafe and bookshop owners may possibly be prepared to provide other forms of support for your show as well.

A theme and a name for the exhibition

Your show will need a name and a theme. It’s worth taking some time to think this over.

Pricing your artworks

This is one of the more difficult steps in the process of planning an art show.

The amount you can ask for an artwork will depend on a number of factors including your reputation or standing as an artist. Obviously the more regarded your work, the more you can ask.

Another is the arrangement you have with the gallery exhibiting your work. Most galleries take a commission on works sold during an exhibition. While this cut varies, sometimes greatly, rates of about 25 to 30 percent are reasonably common.

Don’t be afraid to negotiate on the commission either. If you believe you will sell a lot of your work, you may be able to haggle a slightly lower rate.

To set a price you will need to work out much you would like to receive, against how much you think someone will pay, less the commission asked for by the exhibiting gallery.

Printing

Once you have funding, a venue, and a theme worked out, you can start arranging the printing of promotional flyers and brochures, title cards, and a list or catalogue of the items you will be exhibiting.

If money is tight though you may be able to reduce some printing costs by doing some of the work yourself.

Great looking catalogues and title cards can be produced with a word-processor, the use of good fonts, some careful page layout, and a reasonable quality printer.

If you know someone with calligraphy skills see if they can help out, perhaps by making the title cards.

Promote and advertise

There’s quite a few options when it comes to promoting exhibitions, many of which are low-cost, or free.

Social networking sites, such as Facebook, make it easy for members to create pages for events, such as an exhibition opening, and issue invitations to their contacts.

There’s also art focused discussion forums, and you could even consider approaching arts bloggers to see if they will help the spread the word. Be careful not to wear out your welcome, or take anything for granted here though.

Setting up a page on a photo-sharing site, such as Flickr, and posting photos of your work is also a good way to generate some ongoing profile.

If your budget permits, consider printing flyers to post on community notice boards. Local shops may also be happy to display these for you. Also think about writing a press release to send to local and community magazines and newspapers.

I’ve received a number of invitations to exhibition openings through the mail, so if time and money allows, have some invitations printed and then gather up a list of people to post them to.

Finally, invite as many people as you can, however you can, to the opening. Not only will they appreciate a drink and snack, they’ll also add some atmosphere, and make your attendance numbers look good. Nothing says success more than a well attended show opening.

Food, beverages, and catering

A big part of the opening night of any exhibition is the food, drink and party atmosphere, but you don’t need to go overboard here though.

Offering your guests a choice between a red and white wine, and water (and juice or soft drinks, if you really want to push the boat out) is quite acceptable.

If have a generous sponsor, or even just a catering sponsor, you may also be able to lay on beer and some finger food.

Other entertainment

Many of the openings I’ve been to have some sort of live music, and given the atmosphere a DJ, or even a band, can add to proceedings, this is something well worth thinking about.

Obviously if money, or floor space, dictates otherwise the only option may be background stereo music.

Whatever you do, choose music that is light and upbeat, and generates a good vibe.

Opening times

Most of the shows I go to usually open on Wednesdays, Thursdays, or Fridays. Thursday seems to be the most common day, it’s not too early in the week, and not too close to the weekend.

Avoid openings over weekends, or earlier in the week, times that people usually have other plans.

An early evening opening of around 6pm is probably a good all round time. Most your guests will be on the way home form work by then, yet it is still early enough for them to fit your show in around other plans they have for later in the evening.

Photos

You will definitely want a photographic record of the opening, so try and arrange for someone to take photos through out the evening.

Post the photos to your Flickr or Facebook pages, and also use them when you write about about the opening on your blog later.

And enjoy

The opening night, and exhibition itself, will probably be over in what feels like no time, especially when compared to the months of prior planning and preparation, so be sure to take a little time out to enjoy your own exhibition.

Good luck with it.

Building a ship in a bottle only looks mysterious. With patience, skill and a few tools, you can finish a bottle craft while your friends wonder, “How’d he do that?”

A selection of posters that were part of the Scalacolore Exhibition in 2008.

The concept was: Take a letter of an alphabet, looking for a selection of 10 cities in the world that starts with this letter, say which languages are spoken in these places, say where are you from and which is your language.