In something of an intriguing coincidence, Birch collaborated on the project with Paul Kember, and architect, whose uncle, and great uncle, had worked with Stanley Kubrick, on designing the very same hotel room, for the film.
If there’s such a thing as a bucket-list for fan of “2001”, then seeing this, is now on that list.
Is it an abstract? Is it a watercolour? No, it’s a photo of a film. An entire film. A film called A Trip to the Moon, in this case, that was made in 1902.
It’s part of a project, the aptly named Photographs of Films, by London based sculptor and photographer Jason Shulman. Curious as to what might result if he took a long exposure photo of a film as it played, Shulman decided to find out.
A new book by Sir Christopher Frayling presents the largely unpublished archive of art director Harry Lange’s designs, concepts, roughs and photographs for Stanley Kubrick’s 2001: A Space Odyssey. The result is a veritable feast for design and film geeks.
Here’s a selection of links I’ve looked at over the last week or two, that I haven’t incorporated into other write-ups here, since I’m doing things a little differently now.
One hundred thousand, an incredible number, of white balloons form Heartbeat, a cumulus cloud like installation, created by French artist and photographer Charles Pétillion, that is on show in London’s Covent Garden, until 27 September.
Teachers instruct young students that it is incorrect to begin a sentence with a conjunction (and, because, but, or, so, also) because it helps keep them from writing in fragments, Pinker writes, but it’s a lie that adults don’t need to follow. Avoid writing an ugly “megasentence” full of connected independent clauses, and feel free to start a sentence with a conjunction.
New York City based photographer Aaron Pegg recently gathered this impressive collection of photos of empty London Underground stations. Sights like are sometimes to be seen when travelling on the system late in the evening. It can feel tad spooky.
The flyby of Pluto by NASA’s New Horizons space probe on 14 July seems a long time ago now, doesn’t it? So here’s an animation of the craft’s closet approach to the dwarf planet. Amazing. And don’t forget that data from the probe’s flyby will take over a year to finally reach us, so there’s still a lot to come yet.
Before the Joker, Gotham was a mess. Entire sections of the city were closed off due to madness, organized crime ran rampant, and the majority of important city officials were wildly corrupt. The city even tolerated a renegade vigilante who ran around wearing a rubber suit (Okay, special armor and carbon fiber, but they don’t know that). Along comes the Joker and by the end of a very short time, almost all organized crime was eliminated, many corrupt officials were imprisoned or dead, and the city’s Vigilante even went into hiding for 8 years.
I don’t know how many times I’ve watched 2001: A Space Odyssey now, but still I cannot make sense of the layout, or interior design of USS Discovery, the Jupiter bound spacecraft. How on earth did all those compartments and chambers all fit in with each other? Mystery solved, thanks to New Scientist, and a cut-away style painting by Oliver Rennert, of Discovery’s habitation sphere, that reveals all.
A 3.2-gigapixel digital camera, that will be the world’s largest once it is constructed, will reveal all sorts of detail of the night sky and the universe, when it becomes operational in about seven years. Apparently though 1500 high definition TV screens will be needed to view but one of its ultra high resolution images.
Behavioural effects of city street design have been reported before. In 2006, the Danish urbanist Jan Gehl observed that people walk more quickly in front of blank facades; compared with an open, active facade, people are less likely to pause or even turn their heads in such locations. They simply bear down and try to get through the unpleasant monotony of the street until they emerge on the other side, hopefully to find something more interesting.
US film director Steven Soderbergh, maker of the Ocean’s Eleven series of films among others, has recut 2001: A Space Odyssey. His one hundred and ten minute re-working of Stanley Kubrick’s classic came about, it seems, from a desire to cross a line.