Canva catches the AI coding assistant vibe

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Canva catches the AI coding assistant vibe

13 June 2025

Simon Newton writing on the Canva Engineering Blog:

Yet until recently, our interview process asked candidates to solve coding problems without the very tools they’d use on the job. Our interview approach included a Computer Science Fundamentals interview which focused on algorithms and data structures. This interview format pre-dated the rise of AI tools, and candidates were asked to write the code themselves. This dismissal of AI tools during the interview process meant we weren’t truly evaluating how candidates would perform in their actual role.

The Australian founded online graphic design platform is now mandating candidates for coding roles be proficient with AI tools, and will be expected to demonstrate as much during coding interviews. Given many Canva employees (to say nothing of the industry as a whole) are using AI assistants in their coding work, the move is hardly surprising.

Canva is an app I’ve to tried to pickup, but to date with little success. Several years ago I went along to the Canva offices in Sydney — I’m pretty sure they were located in the suburb of Surry Hills at that point — to give the then iteration of the app a try.

With again, er, limited success. I was kindly told long-term users of Photoshop tend to struggle more than others with Canva, so that was some consolation.

Proficiency with Canva is still on my to-do list, but at the moment getting my head around GIMP is the priority. I’ve not been able to sandbox Photoshop on Linux Mint, so when it comes to image creation and manipulation, GIMP it is.

Still talking of Canva, I learned in quickly looking up the company, that Cameron Adams is a co-founder. Yes: have I been living under a rock or what?

Adams might be better known to some earlier (I’m talking prior to 2010) web creative people as the Man in Blue, being his website/blog, which is still online. In 2011, Adams created a data visualisation of the music of Daft Punk, which is likewise still online, and something I linked to back in the day.

There’s some oldies, but goodies, in the mix, including Da Funk, Television Rules the Nation, Alive, Face to Face, and One More Time. And how good is the pre-loading popup, this using Firefox 139:

If you are going to view this site in Firefox, it is recommended that you use the latest version (Firefox 4).

That’s quite the trip back in time. Firefox 4 came out in March 2011. A good year before Canva was founded, and what seems like a lifetime before AI as we know it emerged in spectacular fashion.

The Jony Ive/OpenAI device, a limited function, screenless, smartphone?

29 May 2025

Ming-Chi Kuo, an analyst at Hong Kong based TF International Securities, spills the tea, perhaps, about the upcoming “futuristic AI device” being designed collaboratively by former Apple CDO Jony Ive, and OpenAI.

According to Kuo (X/Twitter link), the device is intended to be worn around the neck. A bit like a lanyard maybe. It will be a little bigger than the erstwhile Humane AI Pin, will have cameras and microphones, but no display screen.

The device however will connect to smartphones and computers, and use their screens, and, by the sounds of things, tap into their computing capabilities also.

This detail intrigues me. Given the Ive/OpenAI device is intended to be “a product that uses AI to create a computing experience that is less socially disruptive than the iPhone”, doesn’t deriving much, or some, functionality from an iPhone (or other smartphone), defeat the purpose?

Otherwise the device sounds like a lite version of a smartphone, that you could keep on your side table overnight. It can still make and pickup phone calls, act as an alarm clock, and offer information in response to voice prompts.

Things like: “what’s the weather forecast?” or: “what’s making news headlines this morning?” It may be possibly be a device that keeps us connected to the outside world, but prevents social media doomscrolling in the middle of the night.

That might be something people will find useful. We’ll have to wait and see what is actually shipped.

Jony Ive and Sam Altman announce collaboration in video lovefest

24 May 2025

Jony Ive, former Chief Design Officer at Apple, founded LoveFrom in 2019, when he left Apple, with Australian designer Marc Newson. In 2024, Ive established io, as a vehicle to move into the AI space.

A few days ago we learned Ive is joining forces with OpenAI founder Sam Altman, and io will merge with OpenAI. You take the last letter of OpenAI, pair it with the first, and you get io, right? The merger however sounds like the tech/design collaboration made in heaven.

No clues have been offered as to what can be expected of this coming together, other than an AI device of some sort. According to a Wired article published last September, it will be “a product that uses AI to create a computing experience that is less socially disruptive than the iPhone“.

If you haven’t see the video announcing Ive and Altman’s partnership, and have a spare nine minutes, take a look. What a beautiful tech bro bromance we have going on here.

The motherf***ing website, the way all websites used to be

13 May 2025

A long time ago, that is. But the motherf***ing website (hopefully them asterisks slip this post through them filters wherever they may be) is lightweight, responsive, and works.

Websites aren’t broken by default, they are functional, high-performing, and accessible. You break them.

Designed by someone called Barry Smith, the motherf***ing website has been around for over ten years — the Digiday article I linked just then, is dated December 2013. I don’t know how I missed seeing this before.

Needless to say, NSFW on account of strong language.

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design, technology

Ye Olde Blogroll is sporting a swish new design

18 April 2025

Check it out. In addition, Ray, creator of the algorithm-free web directory of personal websites and blogs, which lists this website (thanks again), has transferred ownership to Manuel Moreale, he of People and Blogs fame, among other things.

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blogs, design, IndieWeb, technology

After 25 years we still don’t know what the web is, what it could be

18 April 2025

Here’s some web history trivia for you: it’s been twenty-five years since A Dao of Web Design was published at A List Apart (ALA). Written by Australian product developer, and Web Directions co-founder John Allsopp, the article explored how the web, still seen then as an online variation of print, could find its own path, and evolve into something entirely different.

Reflecting on his ALA article earlier this week, John made the following comment:

The Web is its own thing — but we’ve still yet to really discover what that is. Don’t ask me, I don’t know what that is either. But a quarter of a century on I’m still just as interested in discovering what that is.

I think what we can say now though, is the web is no longer a child of print.

For additional historical trivia, see this article I wrote for the Sydney Morning Herald/The Age, about John and Westciv, a company he established with Maxine Sherrin. Westciv developed tools to assist web designers create compliant CSS, and web pages.

That was twenty-years ago — yes, mind blown — and was one of several articles I wrote for print publications, before becoming more focused on writing online. And while talking of ALA, it sadly appears only to be publishing sporadically nowadays.

The Australian Book Design Awards 2025 longlist

13 March 2025

This is where we get the once-a-year chance to judge a book by its cover… the longlist for the 2025 Australian Book Design Awards (ABDA) was published last week (PDF).

Among numerous inclusions (this is the longlist after all) are covers for Tim Winton’s latest novel, Juice, designed by Adam Laszczuk, and Lucinda Froomes Price’s book All I Ever Wanted Was To Be Hot, designed by Katherine Zhang, of Sydney based Australian design house Evi-O.Studio.

The winners will be announced on Friday 23 May 2025.

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Australian literature, books, design

The one-hundred best book covers of 2024 by PRINT

13 January 2025

PRINT’s annual list of the best book covers of 2024, features double the number of entries as 2023, one-hundred, up from fifty. Either a record number of books were published in 2024, or cover design has become so good more books needed to be included.

Among inclusions is a cover for Intermezzo, Sally Rooney’s latest novel, which features a chess board. Not the version of the cover I’ve seen in this part of the world, but it is damn fine.

The chess board cover version was designed by New York based illustrators June Park and Rodrigo Corral. I’ve said it before, and I’ll say it again, but book cover designers do not always receive the recognition they deserve for their work.

Favourite monospaced font for coding, do people have such a thing?

31 December 2024

Code is code, what difference does the font you choose in whatever app you use for coding possibly make? As long as the code works as intended, what does appearance have to do with it?

But the conversation I found on the topic — which in fact started months ago — actually relates to a writer’s favourite font for writing — as in copy, not code — which is kind of intriguing.

Intriguing, because I’ve never given the matter the slightest thought. Obviously on my website I have chosen a particular display font, but when it comes to drafting my posts, no, I pretty much use one of the fonts the app offers.

These fonts are certainly not monospaced fonts (for all their virtues), which is where the discussion seemed to later turn. I write all my posts, together with the necessary HTML tags, on a word processing app, and when ready, copy and paste the text into WordPress.

I know I’m missing something using this process, because I read about the way other people use (what sounds like) a number of apps, before their blog post drafts are fed into their blog publishing software. But when it comes to a favourite font for drafting, whatever that might be, there isn’t one.

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design, typography, writing

The web today is not necessarily worse than the early web

27 December 2024

Xavier H.M., writing on his Mastodon page:

Your neocities blog is cute but I can’t read the 5pt font and your cursor is the size of a bread crumb. The web page is loading so many gifs my computer sounds like a boeing 747.

disassociated once, in a way, looked like a Neocities website. Or, more the point, way back in the day: GeoCities-esque. My websites of twenty-five years ago may have seemed like the work of a web designer trying to be artistic, but the way they were built presented problems to some visitors, particularly those with low vision. For example, much text on my early sites was rendered as images.

The facility to use alternative text, or alt-text, was always there, as far as I remember, but like a lot of visual web designers of the time, I did not make effective use of the facility. For example, if say I was posting a photo of a tree, the alt text would literally read “a tree”. I’d say nothing about where the tree stood. Along a road? In a park? Near a body of water? Nor anything else that would help describe the image more fully to people who had trouble seeing it.

As for blocks of text rendered as images — this to maintain complete design control across different browsers and operating systems — I probably supplied no alt-text, even though it would not have been difficult to do so. In other words, much of the content was invisible to some visitors.

And then we get around to font and cursor sizes that would suit an ant. For sure, it’s all fun, but doesn’t work for everyone. Those early days were more about aesthetics rather than accessibility. Today’s websites and blogs might look bland, might look all the same, but they are easier for a greater number of people to use, and, as a bonus, aren’t too demanding on our devices.

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design, history, technology, trends

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