Tuesday, 14 February, 2012
Years ago when I was learning to play the guitar a tutor told me a note played out of scale, in other words, erroneously, was called a “passing note”. It was another way of saying minor mistakes don’t matter, especially as very few people are likely to notice the presence of a single errant note among hundreds of others.
I don’t know why I remembered about passing notes, or even that I once played guitar (a Nirvana-ised/grunge cover of the Beatles And I Love Her of mine was a career highlight… but this was the 90s), while reading through a list of common grammar mistakes, but it could be some of these syntax errors resemble passing notes.
Such an assertion will doubtless bewilder linguistics virtuosos, in much the same way, I imagine, that grunge covers of iconic 60s acts stood to unhinge guitar tutors, but the apparent misuse of words such as “nor”, “moot”, or even “impactful”, could, arguably, be attributed to changes in the use of language over time.
Even if such a time period is no more than five minutes. Even if “impactful” is the bastard twin of “irregardless”. Even if “who” should substitute “whom” without hesitation, as it is so deprecated people will think you’re writing from the seventeenth century if you use it. Let’s call them literature’s passing notes. This website is laced with them.
Yes, that’s right, that coming from a former homecoming high school first-quartile English student, if you could ever believe that, irregardless of whether those grades were largely due to the fiction (that sometimes posed as non-fiction, but that’s another story) I used to write.
grammar, language, literature, music, passing notes, writing
Monday, 21 November, 2011
Roland Emmerich’s recent film Anonymous was based on the notion that someone else wrote the works of English playwright William Shakespeare.
Even though the idea holds little water as far as many literary historians are concerned, there is other evidence suggesting that even though Shakespeare was who we think he was, he was nonetheless involved, unwittingly perhaps, in criminal activity, as at the time, the theatre was far from respectable.
As a newcomer to the big city, Hotson realized, Shakespeare was obliged to begin his career on a lowly rung, working for disreputable theater people – which, at that time, was generally regarded as akin to working in a brothel. Theaters were meeting places for people whose interest in the opposite sex did not extend to marriage; they were also infested with crooks, pimps and prostitutes, and attracted an audience whose interest in the performance on stage was often minimal. This, of course, explains why the Puritans were so quick to ban public entertainments when they got the chance.
history, literature, William Shakespeare
Friday, 30 September, 2011
By re-purposing existing written works, and patchwriting, the weaving together of excerpts from varying sources to produce new literary works, some literary critics say writers today are more like programmers than anything else.
The prominent literary critic Marjorie Perloff has recently begun using the term “unoriginal genius” to describe this tendency emerging in literature. Her idea is that, because of changes brought on by technology and the Internet, our notion of the genius – a romantic, isolated figure – is outdated. An updated notion of genius would have to center around one’s mastery of information and its dissemination. Perloff has coined another term, “moving information,” to signify both the act of pushing language around as well as the act of being emotionally moved by that process. She posits that today’s writer resembles more a programmer than a tortured genius, brilliantly conceptualizing, constructing, executing, and maintaining a writing machine.
information, literature, patchwriting, writing
Tuesday, 28 June, 2011
If you thought writing wasn’t dog eat dog sort of work then you’d be quite mistaken.
Truman Capote on Jack Kerouac: “That’s not writing, that’s typing.”
authors, insults, literature, writers, writing
Thursday, 23 June, 2011
Opening lines from a number of classic novels re-imagined for contemporary readers.
Alice was beginning to tire of sitting by her sister on the bank. She took out her iPhone and played Angry Birds for the next three hours.
books, humour, literature, writing
Thursday, 13 January, 2011
How many basic literary plots are there? Depending on how a plot is defined, there could be anywhere from one through to 36 basic storylines.
Attempts to find the number of basic plots in literature cannot be resolved any more tightly than to describe a single basic plot. Foster-Harris claims that all plots stem from conflict. He describes this in terms of what the main character feels: “I have an inner conflict of emotions, feelings…. What, in any case, can I do to resolve the inner problems?” (p. 30-31) This is in accord with the canonical view that the basic elements of plot revolve around a problem dealt with in sequence: “Exposition – Rising Action – Climax – Falling Action – Denouement”.
Via Lone Gunman.
basic plots, literature, plots, stories, storylines
Tuesday, 21 December, 2010
Ebenezer Scrooge, the mean spirited protagonist of English writer Charles Dickens’ 1843 novel A Christmas Carol, may, just may, have been a little more altruistic than we perceived him to be:
Scrooge has been called ungenerous. I say that’s a bum rap. What could be more generous than keeping your lamps unlit and your plate unfilled, leaving more fuel for others to burn and more food for others to eat? Who is a more benevolent neighbor than the man who employs no servants, freeing them to wait on someone else?
books, Charles Dickens, Ebenezer Scrooge, literature, thrift
Tuesday, 27 April, 2010
From an article on the confronting and disturbing nature of contemporary Swedish literature, news that there is soon to be a Hollywood version of The Girl with the Dragon Tattoo.
Stieg Larsson, died from a heart attack before seeing his international bestselling Millennium trilogy catapult him to the rank of second-bestselling writer on the planet. The film adaptation of his The Girl with the Dragon Tattoo is playing in Australia. The producer of No Country for Old Men, Scott Rudin, has just signed a deal to make the Hollywood version.
My question: why?
books, film, Hollywood, literature, movies, Sweden
Wednesday, 25 November, 2009
First there were suggestions that William Shakespeare was assisted by a ghostwriter, now comes a notion – in a new book, “The Man Who Invented Shakespeare”, by German academic Kurt Kreiler – that many Shakespeare works were actually written by the Earl of Oxford, Edward De Vere.
Edward De Vere also lived in the same area as Shakespeare and scrutiny of specific stanzas of poetry he wrote show their style was not copied anywhere else at the time, except in what we call Shakespearean poems.
De Vere also went by the nickname “Spear-shaker”, conclusive proof I expect…
Edward De Vere, history, literature, plays, playwrights, William Shakespeare, writing
Monday, 5 October, 2009
Why are the books of Charles Dickens still part of many of today’s school curriculums, almost 140 years after he died?
These are all wonderful reasons to read Dickens. But these are not exactly the reasons why I read Dickens. My search for an answer continued but never with success, until one year the little flicker came – not surprisingly – from another high school student, whose essay I was reviewing for a writing contest. “We need to read Dickens’ novels,” she wrote, “because they tell us, in the grandest way possible, why we are what we are.”
books, Charles Dickens, literature, novels, reading, writing