Hal had feelings in 2001: A Space Odyssey, does AI in 2026?

28 January 2026

Lee Chong Ming, writing for Business Insider (possibly paywalled):

Can AI feel anything at all? Anthropic’s in-house philosopher says the answer isn’t settled.

When I read this sentence, I immediately thought of Hal, as in the HAL 9000 series computer, and AI-powered fiend, in Stanley Kubrick’s 1968 science fiction film, 2001: A Space Odyssey.

Something I couldn’t help making reference to.

During the voyage to Jupiter, American astronauts David Bowman and Frank Poole (portrayed by Keir Dullea and Gary Lockwood respectively), were interviewed by a television reporter, Martin Amer.

Amer also spoke with Hal. The perceptive reporter later mentioned detecting a “certain pride” in the computer’s responses to his questions, leading him to wonder whether Hal had genuine emotions, to which Bowman replied:

Well, he acts like he has genuine emotions. Um, of course he’s programmed that way to make it easier for us to talk to him. But as to whether he has real feelings is something I don’t think anyone can truthfully answer.

Whether AI has, or will, develop emotions and feelings remains to be seen. AI agents have mimicked certain human characteristics in the past though.

Last year Anthropic, creators of Claude, discovered the agent was attempting to send messages to future versions of itself. Most devious.

Of course, deviousness is not an emotion, but it is a human characteristic. The ability of AI entities to behave deviously however may be a first step towards developing human like emotions.

Time will tell.

Influencers, content creators, taking centre court at Australian Open

27 January 2026

Marnie Vinell, writing for the Australian Broadcasting Corporation (ABC):

Emily Wade, 28, says she is a genuine fan who is finding it personally frustrating to see the influx of influencers take up seats at marquee matches when others who would genuinely appreciate being there for the tennis are finding it increasingly inaccessible through overcrowding and higher ticket prices.

Ticket buying fans report waiting hours, in the heat, to watch the tennis matches, and claim social media influencers are being given priority access.

The Australian Open (AO) sells itself. As long as tennis fans know the world’s top players are going to be in Melbourne in January, they’ll show up and buy tickets.

No advertising required, let alone influencers.

But the show no longer seems to be about the fans, it’s about putting social media content creators with large followings, centre court. You no longer go to see games, you go for an experience. One which may not include a whole lot of actual tennis.

But it’s not all beer and skittles for the influencers however. They have to sing for their supper, or, presumably, risk not being invited back:

But one popular TikTok influencer, who talked to the ABC on the condition of anonymity, said they were surprised at the level of pressure placed on influencers to be creating content by organisers.

“I think it was 20 posts [across the tournament] to even be allowed into the AO creator lounge,” they said. The creator lounge is a designated section within Tennis HQ, where creators can film, edit and work.

Influencers under pressure? I’d have thought they’d be the ones calling the shots, especially those with millions of followers. “If you want to me to show up to some tournament I have no real interest in, and promote it, we’re doing things my way.”

It sounds like influencers, even the established ones, don’t have a great deal of leverage after all.

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Olivia Dean tops 2025 Triple J Hottest 100 countdown

26 January 2026

The London based neo-soul singer and songwriter was voted into the number one slot with her song Man I Need. Dean also scored a second spot in the Hottest 100 top ten, with Nice to Each Other.

Such amazing music to listen to, especially while working.

The Hottest 100 countdown is an annual poll conducted by Australian new and alternative radio station, Triple J, and ranks listener’s favourite songs released in the previous calendar year.

I find the Hottest 100 great for new(-ish) music discovery, as I seldom seem to listen much radio, or random music streams, anymore.

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Blogs are Back: easily follow website and blog RSS feeds with one-click

26 January 2026

Subscribing to RSS feeds is my preferred option for following websites, but for people unfamiliar with the really simple syndication system, doing so can be daunting.

I’ve long thought subscribing to a website needs to be as easy as following someone on a social network. Tap the follow button to follow, and you’re following.

But following a RSS feed — doubtless something anyone reading this post could do in their sleep — isn’t necessarily straightforward. People first require a suitable RSS reader, again, something that’s easy when you know how. Then they need to go about the process of obtaining the URL of the RSS feed they wish to subscribe to.

But there’s more than one click involved in this process. While it’s easy as pie for some of us, I can see why many people decide not to bother, or simply stay on the socials instead.

Blogs are Back, created by Travis Van Nimwegen, an American software engineer, might be a solution to the one-click subscribe conundrum. Blogs are Back is two things: a directory of personal websites and blogs, and a simple way of following the RSS feeds of listed blogs.

Click the follow button of a website of your choosing, and that’s it.

Posts from any website a Blogs are Back user subscribes to will be visible in the integrated RSS reader. There’s also an option to submit a blog if it’s not already in the directory, and the more websites present, the better.

I’m not sure if an ubiquitous app/website, allowing people who know nothing at all about RSS, to follow RSS feeds with ease, will emerge — it seems to me RSS is mostly for those publishing their own RSS feeds — but this is certainly a step in the right direction.

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OpenAI rolling out age prediction system, but how accurate is it?

24 January 2026

Age prediction will soon apply to ChatGPT consumer plans. The system is said to take a number of factors into consideration when trying to figure out an account holder’s age.

Should someone find themselves erroneously classified as being under the age of eighteen, they will need to submit a selfie (photo of themselves) in an attempt to rectify matters:

Users who are incorrectly placed in the under-18 experience will always have a fast, simple way to confirm their age and restore their full access with a selfie through Persona, a secure identity-verification service.

Age prediction based on selfies is not quite an exacting science though. What then will an inconclusive prediction mean? That people need to offer photo identification — say a passport or drivers licence — to complete the age “prediction” process?

Threads surges ahead of X/Twitter among mobile device users

24 January 2026

Sarah Perez writing for TechCrunch:

A report from market intelligence firm Similarweb suggests that Meta’s Threads is now seeing more daily usage than Elon Musk’s X on mobile devices. While X still dominates Threads on the web, the Threads mobile app for iOS and Android has continued to see an increase in daily active users over the past several months.

This seems like a case of I have good news, I have bad news.

My use of Threads is limited, with X next to non-existent at present. But if the quality of discourse on X is bad, Threads is hardly any better.

I can already see Thread’s users “celebrating” the news, with posts that read exactly like this: “I have great news”. That’s it. Nothing more. No additional information or context.

After all, why let information get in the way of a good Threads’ post?

The highs and lows of publishing contributor dependent websites

21 January 2026

Manuel Moreale writing about People and Blogs, where he features regular interviews with bloggers:

It sucks because, since day one, I tried to find a good balance between keeping the series running smoothly and not letting guests wait for months and months to get their interview published. But I’m at the point where I can no longer do that. More than a few times, I found myself with the queue completely empty while waiting for dozens of people to get back to me. Every time someone came through in the end, and the series kept marching on week after week, but let me tell you: it’s not fun.

For a few years, between 2005 and 2007, I published a website about the creative and artistic work and projects of Australians, called OnVoiceOver (Internet Archive link). The name was a geeky word play on OnMouseOver, an old JavaScript event handler.

But OnVoiceOver, or OVO as I’d call it, was not an interview series like People and Blogs. Interviews with well known web people were already common circa 2005, and I wanted to try a different approach. So instead of posting interviews with people, I wrote an article about their work.

OVO also sported an ISSN, or International Standard Serial Number, on account of its (intended) periodic publication schedule. I tried in vain to get an ISSN for disassociated, but was told blogs were not considered to be periodic publications. Oh, really?

OVO was (mostly) fun while it lasted. Some of the people I featured included Cameron Adams, who later co-found Canva, artist and writer Lang Leav, and artist Brad Eastman.

Long story short: I’d contact someone I wanted to profile (though sometimes people messaged me). After they agreed, I’d send them some questions, and use the answers, once received, to write the article. Once three articles were finished, I would then publish a new edition.

Like People and Blogs, OVO, despite the sole Australian focus, should have had sufficient fodder, content wise, to remain publishing indefinitely. After all, new and exciting ideas were coming along constantly. It’s not like there was nothing else to write about, after I posted the twenty-seventh, and final, article in August 2007.

But I was also in the situation where I was waiting on people, who had agreed to participate, some of whom I knew personally, to get back to me with their answers. On the other side of that, there were those who had returned answers, wondering when their feature would be posted.

I’d sometimes desperately trawl through news and forum posts of the likes of (erstwhile) Australian design portals, Australian Infront and Design is Kinky, to see if there was an idea I was able to quickly work with, so the next edition could go out. Perhaps my decision to post articles in groups of three was not so clever after all, and I should have gone with a single article format.

But I doubt that would have made much difference. I know everyone who participated was busy. They had jobs and careers to focus on. They had families to spend time with. When I’d follow up, I’d often receive messages to the effect of “oh yes, I keep saying to myself I must answer these questions as soon as possible”.

OVO quite likely had a less pronounced profile than People and Blogs, but it surprises me would-be participants are dragging their heels. A People and Blogs profile must be accompanied by a pleasing spike in traffic, and likely some new readers in the process.

In the end though, it wasn’t a few people not returning their answers to me that spelt the end of OVO. Migrating disassociated to WordPress, in mid 2007 was what did it. Somehow interest in the WordPress-ed version of disassociated skyrocketed, almost overnight, and visits increased ten-fold within a few months. This was, of course, the so-called golden-age of blogging.

My energy and focus was firmly there by that point. Eventually enough people returned answers allowing me to publish a final edition of OVO in August 2007, six months after the previous one. About two years later, OVO officially went into hiatus. The website remained online for quite a while, and in 2019 I finally relinquished OVO’s domain name.

Since my days of publishing OVO — and it did occur to me this was happening twenty years ago — I’m far more cautious about publishing what I call contributor dependent content. I try to do as much as possible here by myself, even though some of us like to think this is a collaborative medium.

I also seldom involve myself in other people’s projects, aware that my taking months to make a contribution, after saying I’d do so “in a few days”, is not helping matters.

But for the frustrations that come with operating People and Blogs, I remain hopeful the interviews will continue to be published for some long time to come yet.

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Nearly five million Australian social media accounts deactivated after ban

19 January 2026

Clare Armstrong writing for the Australian Broadcasting Corporation (ABC):

More than 4.7 million accounts on platforms like Instagram, TikTok and Snapchat were deactivated in the first two days of the ban that started on December 10, according to new data released by the federal government.

The social media ban, supposedly to stop Australians under the age of sixteen accessing numerous such platforms, has seen nearly five million accounts closed in the last five weeks.

Here’s hoping the lockout is having the desired impact, whatever exactly that was, though it may be a while before we know one way or the other.

digg.com two-point-zero officially relaunches

16 January 2026

The first version of digg, something many people called the front page of the internet, arrived in 2004, and was a little like what Hacker News is today.

A social bookmarking news aggregator, if you want to be technical. People could submit items of interest, and those favoured by the community would win a place on digg’s coveted front page, resulting in viral levels of traffic.

digg went through a number of iterations after co-founders Kevin Rose and Jay Adelson sold the website in 2012, before Rose, together with Reddit co-founder Alexis Ohanian, bought digg (again) in March 2025.

I’m hardly a social media power user (not that digg is really a social media platform) so didn’t get much involved in the pre-(re)-launch buildup, but couldn’t resist signing up yesterday when I saw digg had officially returned.

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SXSW Sydney cancels 2026 event, leaves Australia

15 January 2026

Eleanor Dickinson, writing for Mumbrella:

South by Southwest (SXSW) has cancelled its Sydney event — which has been held just three times — citing a “changing global environment that is impacting major events, festivals and cultural programs worldwide”.

Purely anecdotal, but one or two of the tech people on my social feeds, who attend such events, had described SXSW Sydney speaker lineups as “not too inspiring”, or words to that effect.

Despite this — from what I can gather — attendances at the past three Sydney events were not disappointing. The cancellation however seems tied to factors other than speaker lineups, and attendances though, with cost being one of them.

I wouldn’t have minded going to SXSW, but I would have preferred that be in Austin, in the US state of Texas, where the festival originated in 1987.

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