It’s been a while since I last looked in on the work of Sydney based photographer and filmmaker Jack Toohey. Well over six years, as it happens. These days he can also be found on Instagram, where the above photo comes from.
Wednesday, 8 March, 2017
Tuesday, 7 March, 2017
Destino, an animated collaboration between US film producer Walt Disney, and Spanish surrealist artist Salvador Dalí, was nominated for the Best Animated Short Film award in 2003. Yet the film almost never saw the light of day, after spending over fifty years sitting in a vault.
Although work on the production had started in earnest in 1945, eight months in, the Walt Disney Company ran into financial problems. It wasn’t until 1999, when Disney’s nephew, Roy E. Disney, was working on Fantasia 2000, that the project was rediscovered.
I know films can take a long time to make, but a lead time of nearly sixty years must be a record. A story about a young girl in search of true love, you can watch Destino here. It makes me wonder how many other part completed film projects there are, started by well known filmmakers, that sit, forgotten, in cupboards somewhere.
Monday, 6 March, 2017
Directors Steven Spielberg, Francis Ford Coppola, Guillermo del Toro, Paul Greengrass, and Lawrence Kasdan, examine the impact World War II had on cinema, and the effect cinema had on the conflict, in Five Came Back, a three part documentary produced by Netflix.
Based on the book of the same name, the series will focus on the experiences of filmmakers John Ford, William Wyler, John Huston, Frank Capra, and George Stevens, who ceased working to serve in the conflict.
Going by the trailer, Five Came Back promises to be a treat for those who are interested in the Second World War, and film, and will available for viewing by Netflix members from 31 March.
Thursday, 23 February, 2017
Not long until the Oscars now, this weekend in fact. Last week I posted a supercut of the winners of the Best Visual Effects award since 1927, and now here is one for all the Best Cinematography winners since 1927, again put together by Burger Fiction.
By the way, the nominees for this year’s Best Cinematography award are Arrival, La La Land, Lion, Moonlight, and Silence.
Wednesday, 22 February, 2017
Catching the last train of the day is a world removed from travelling during the day, or the morning and evening commuter peaks. The silence of the almost deserted platforms is eerie. The fluorescent lights of the trains and stations seem harsher, to the point they’re bleaching.
But there can also be a certain camaraderie amongst last train of the night travellers, an experience that’s elegantly captured here.
Friday, 17 February, 2017
Late US film director Stanley Kubrick was said to be a fan of the Futura typeface. Christian Annyas, a web designer, decided to find out how often, if at all, that Kubrick used Futura, by analysing the typefaces he used in his films, trailers, and posters.
Friday, 17 February, 2017
Love it, or hate it, and don’t try to tell me that it’s the latter, a sequel, of sorts, is on the way for New Zealand born director Richard Curtis’ 2003 rom-com drama, Love Actually. It won’t be a full-blown feature though, rather a ten minute short film, that seeks to discover what those from the original are up to now.
The film is being produced to support Comic Relief’s Red Nose Day fundraiser next month. Previous Red Nose Day specials have seen spinoffs of Mr Bean, The Vicar of Dibley and Blackadder. Curtis told Deadline he thought it would be a “fun idea” to do a short sketch based on one of his previous films while raising money for an important cause.
Most of the original cast have agreed to reprise their roles for the spin-off that will be broadcast on the BBC on 25 March. I’m sure you’re counting the days. Don’t try to tell you’re not.
Wednesday, 15 February, 2017
Rouge One, and Doctor Strange, are among nominees for the best visual effects Oscar this year. While we wait to hear who the winner is on Sunday 26 February, or the next day, Monday, as it will be in this part of the world, here is a supercut all previous winners of the award since 1927, put together by Burger Fiction.
Interestingly, the original three Star Wars movies all won the visual effects Oscar, but not the prequel films, nor Episode VII. On that basis, I’m tipping Rogue One for the win, since it is the Star Wars “follow up” film most closely linked to the originals. Chronologically anyway.
Monday, 13 February, 2017
Australian short film festival Tropfest, which also marked its twentieth-fifth anniversary this year, took place in sweltering conditions – temperatures of 40° Celsius were recorded at one point during the day – last Saturday night, at Parramatta Park, in Sydney’s west.
The Mother Situation, by veteran Melbourne actor and filmmaker Matt Day, was named the winner. Meat and Potatoes, by Arielle Thomas and Ellenor Argyropoulos, and Wibble Wobble, said to be made in a single day, by Daphne Do, took out second and third places respectively.
Matt Day’s win ruffled feathers though, with some concerned that he isn’t exactly an industry newcomer, having been acting since 1988. Some feel Tropfest is about encouraging emerging talent, though it should be noted Day is seeking to transition from acting to directing roles.
Attendees where saying good things about Love, Steve by Alex Roberts, The Wall by Tristan Klein and Nick Baker, and Accomplice by Michael Noonan. I’m looking forward to the work of all finalists being made available, and will try and post a few of them here, when that happens.
Tuesday, 7 February, 2017
News that the Internet Movie Database (IMDb) is closing its discussion forum, as of 20 February, will doubtless come as a disappointment to movie buffs. According to the statement announcing the closure, members are now more often using one of the IMDb’s social media channels to discuss movies, rather than the forum:
Increasingly, IMDb customers have migrated to IMDb’s social media accounts as the primary place they choose to post comments and communicate with IMDb’s editors and one another. IMDb’s Facebook page and official Twitter account have an audience of more than 10 million engaged fans. IMDb also maintains official accounts on Snapchat, Pinterest, YouTube, and Tumblr.
IMDb also noted that the forum was “no longer providing a positive, useful experience” for the majority of its members. It’s a sentiment that will, unfortunately, resonant with anyone who has witnessed any of the less than cordial exchanges in some of the discussions there.
While discord on a discussion forum is by no means exclusive to IMDb, it was probably determined that the time and effort spent weeding out noxious comments could be put to better use elsewhere. And in this regard, IMDb is not alone in foregoing a forum, as Andrew Liptak, writing for The Verge, points out:
The decision appears to mark the latest website to question the value of forums and comments, which can require heavy moderation. Other major websites, such as National Public Radio and Popular Science, have closed their own commenting sections because patrolling them for toxic users became a costly and time-consuming chore.
The great thing though about the IMDb discussion boards, is the dedicated forum for every film, and the separate threads within each. This allows members to discuss whatever aspect of a title that they wish to. Want to ask different questions about, say, the school dance from Back to the Future, and Doc Brown’s 1950s residence?
Not a problem. Discussion of a particular movie remains in the one, easy to find, place. This is something that cannot really be replicated on platforms such as Facebook or Twitter. Even if separate pages, or accounts, were set up for each movie. Whether someone sees an opportunity here though, remains to be seen.
In the meantime, there are other places where you can go and talk about the films you’ve seen. The Digital Fix, Movie Forums, reddit, and of course Rotten Tomatoes, spring to mind. Again, you can’t quite discuss a movie as you can on IMDb, but you will among other fans of film.