The Daughter, directed by Australian filmmaker Simon Stone, is another title I’m trying not to read too much about before I see it.
Like 45 Years, which I saw the other day, and am still reeling from, The Daughter is a family drama, that appears to see emotions boil over, after events from the past resurface, when a long absent person returns to his hometown.
The trailer looks stunning, though I’m hoping it’s not a case of the trailer being better than the film it is promoting.
Colonia, directed by German filmmaker Florian Gallenberger, sees a young woman (Emma Watson), join an oppressive religious sect in a bid to free her boyfriend (Daniel Brühl), who has fallen into its clutches.
Having infiltrated the group, escape, going by the trailer, appears to be a simple matter of negotiating labyrinth tunnels, and a small army of zealous enforcers.
The trailer for 45 Years, starring Charlotte Rampling, and Tom Courtenay, a story about a couple preparing to celebrate forty-five years of marriage, when they receive some unexpected, and shocking news, that goes along the lines of “they’ve found her”.
I’m trying not to read too much about this film ahead of its opening today, lest I stumble upon what this revelation is.
Over, a short film by London based director Jorn Threlfall, tells a tragic story. I remember reading about this incident a few years ago, as it happened in a part of London where I used to spend a lot of time, when I lived there.
Today’s obligatory Star Wars related post – I think have one ready to go for tomorrow as well – asks the question, should there be a Han Solo anthology, or “spin off” film made? As I said a few months ago, Solo’s the sort of person who’d have a couple of stories to tell. Thing is, would it be a good idea to make movies out of them?
Why do audiences need to see the events that made Han Solo who he is? He’s a complete package the second he’s introduced – rebellious, charming, with just enough bravado to disguise that he’s making it up as he goes along – and so much of that is down to Ford’s performance. Any new actor in the role will be saddled with the choice between trying to imitate Ford or creating their own take on the character, and both will be a tough sell.
The biggest box office flops of 2015, as compiled by BuzzFeed… although the year still has one month to run, meaning there may potentially be additions, it’s looking like I only ended up seeing one of the titles from this list.
This isn’t some joke. They’ve made a film, called 100 Years, which is being placed in a special time-locked safe that won’t open again until November 18, 2115. Why? Well, because it’s promotion for Louis XIII Cognac, an ultra-luxury liquor that is aged 100 years. Bottles currently on shelves were made in 1915 so they decided a piece of art that speaks to their commitment to quality was something worth doing.
If you don’t possess a time machine take solace in the fact that one of your descendants may be among the lucky one thousand people to sent – somehow – a ticket for the screening in a century’s time.
And if the people at the Walt Disney Company, which bought Lucasfilm for $4 billion in 2012, have anything to say about it, the past four decades of Star Wars were merely prologue. They are making more. A lot more. The company intends to put out a new Star Wars movie every year for as long as people will buy tickets. Let me put it another way: If everything works out for Disney, and if you are (like me) old enough to have been conscious for the first Star Wars film, you will probably not live to see the last one. It’s the forever franchise.
I think Wuher, the gruff bartender in the canteen at Mos Eisley, is worthy of a film. In fact, I’m of the opinion that the significance of his role in the saga has been greatly understated so far. Read his profile. I think you’ll agree there’s far more to him than meets the eye.
And on that note… four weeks to go until you know what.
The part that always struck me is this weird kind of language that Leia is speaking. She basically says several of the same things twice, and they mean different things each time. The first time, she’s saying, “Yaté, yaté, yotó.” And that means something like, she’s coming to sell the Wookiee. Then the next time, she says, “Yotó. Yotó.” It’s exactly the same word as the last one from the previous one, but now it means that she’s demanding 50,000, no less, after Jabba’s offered her 25,000 – which is a really bizarre way for a language to work.