Hayk Matevosyan is a filmmaker whose collection of stills intrigues me. This image is from a music video he recently directed for Los Angeles based producer and composer Bei Ru. See his film and video work here.
Tuesday, 31 January, 2017
Monday, 30 January, 2017
Who knows how many film trailers I’ve posted here over the years, but never in that time have I given any thought as to why they’re called trailers. It’s all quite logical however, as once upon a time they used to follow, or be shown, at the conclusion of a feature, when they first appeared, a little over a century ago.
At first that seems like an absurd idea. Why try to a promote an upcoming release at the end of the show, when audience members are surely scrambling for the exits? As it happened though, the movie going experience of the early twentieth century was unlike that with which we’re accustomed to today:
You would pay your admission – usually just a couple of cents – and you could basically sit inside a movie house all day and watch whatever was playing, often a combination of feature-length movies, short films, and cartoons.
Doesn’t sound too bad at all. Especially on a rainy day, or the like. Pay a couple of cents, and stay all day. But I’m wondering how cinemas made money, if people stayed in their seats all day? Return custom was the answer. With trailers advertising upcoming new features, patrons were sure to come back.
I wonder if we could go back to the days of trailers being screened after a film, in return for being able to stay at the cinema all day?
Wednesday, 25 January, 2017
It’s been a rough few years for Tropfest, but it’s good to see things getting to back to normal.
Wednesday, 18 January, 2017
The second trailer for Dunkirk, the new feature from US film director Christopher Nolan. A story set around the evacuation of Allied forces from France in 1940. Due for release in July. Nolan’s work is consistently top notch. I’m looking forward to this one.
Thursday, 12 January, 2017
It’s a fan made film, so I know you sometimes need to be in the right place, at the right time, to hear about these sorts of things, but I’m still not sure how I missed Star Wars Downunder. Made by filmmaker Michael Cox in 2013, “Downunder” brings a distinctly Australian taste, in the form of beer no less, to the popular sci-fi saga.
Thursday, 12 January, 2017
Technology company Kodak says it will resume manufacturing Ektachrome camera film for 35mm still frame, and Super 8 motion picture formats, by the end of the year. Does the move constitute evidence that we’ve reached peak digital photography though? Don’t be so sure.
While the return of Ektachrome will surely delight aficionados of film photography, are we all about to give up on the likes of Instagram, or stop using the now not too shabby cameras in our smartphones? I doubt it.
Here’s the thing. Film photography is for the patient. For those skilled in the art of capturing the right image at the right time, without using up the limited allocation of shots, usually thirty-six, that’s available to them on a single roll of film.
That excludes me. Then there’s the matter of the time and cost of processing. Some might call digital photography fake and cheap, and the domain of those seeking instant gratification. But not me. There’s simply too much quality digital photography for that to be possible.
Yes, we may be seeing more film photography, which is fine by me. And true, we have may reached peak digital photography, but I don’t think we’re about to see it spiral out of favour anytime soon. Also, I took the above photo, in London’s Richmond Park, with film. So there.
Thursday, 22 December, 2016
I like my Vimeo videos. In fact I like any videos, that I can embed here without hassle, but there’s something about a Vimeo video. I’ll defer to Lifehacker in this regard, who have put together a collection of their top thirty-one Vimeo video picks for 2016:
Most people head directly to YouTube when they need an online video fix. This is a mistake. Vimeo might not be as popular as Google’s all-conquering behemoth, but this is actually one of its core strengths – the average quality is much higher and there’s a lot less crap to sift through.
Glancing through, I can see four that I’ve posted this year. Maybe there’s more. See the list here.
Monday, 7 November, 2016
Back to the Future is a film I watch once a year, and part of its enduring appeal is down to the structure of its story. Screenwriters and authors take note, this is how to write successfully. Parts two and three are ok, but they really don’t hold a candle to the original.
Also, revisit Back to the Future’s opening sequence. It’s incredible just how much of the story is set up from there.
Tuesday, 6 September, 2016
You might want to hold off upgrading to the latest model of whatever smartphone you use, until you’ve seen Death by Design, a new documentary by US television producer, Sue Williams. Not easy, I know, many people like to get hold of the newest phone every year, if they can.
The feature takes a look at the manufacturing process of these devices, and the fate that awaits phones ditched in favour of a newer model. Both take their toll on the environment.
Williams isn’t saying never upgrade, rather she urges people to consider keeping their current phone for a few years, before replacing it.
Wednesday, 10 August, 2016
Is it an abstract? Is it a watercolour? No, it’s a photo of a film. An entire film. A film called A Trip to the Moon, in this case, that was made in 1902.
It’s part of a project, the aptly named Photographs of Films, by London based sculptor and photographer Jason Shulman. Curious as to what might result if he took a long exposure photo of a film as it played, Shulman decided to find out.