The Miles Franklin Literary Award 2026 longlist

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The Miles Franklin Literary Award 2026 longlist

25 May 2026

The longlist for the 2026 Miles Franklin award was published on Wednesday 20 May 2026, and includes the following ten titles:

Discipline by Randa Abdel-Fattah
Elegy, Southwest by Madeleine Watts
Fierceland by Omar Musa
First Name Second Name by Steve MinOn
I Want Everything, Dominic Amerena
Little World by Josephine Rowe
My Heart at Evening by Konrad Muller
Salt Upon the Water by Lyn Dickens
Tenderfoot by Toni Jordan
You Must Remember This by Sean Wilson

Presented annually, the Miles Franklin award recognises Australian novels of the highest literary merit. The shortlist will be announced in June, next month, with the winner being named in August.

If you’re looking for reading ideas, literary award longlists make a good starting place, and are for me, a de-facto TBR list. I need more hours in the day to keep up with the resulting reading though.

The Serpent in the Grove, winner of the Commonwealth Prize, written with AI help?

23 May 2026

Congratulations to Trinidad and Tobago based writer Jamir Nazir for taking out the Commonwealth Short Story Prize this year, with his work, The Serpent in the Grove.

Since being named winner though, suggestions have emerged that the work is the product of an AI agent. When asked to assess the story, a number of other AI agents (how else would you check?) concluded The Serpent in the Grove was likely written with at least some AI assistance.

Prize organisers say they do not use tools to seek out the use of AI in submissions, considering the short story prize is for unpublished works. I see the logic in this argument, because anything parsed by an AI agent is probably only going to be regurgitated by the same agent later on, somewhere else.

The Commonwealth Prize operates on the principle of trust, say organisers. Here be another minefield of AI making that we need to tip toe our way through.

Capture, a new novel by Australian author Amanda Lohrey

7 May 2026

The tenth novel by the Tasmania based author, and previous winner of the Miles Franklin literary award, was published last week:

James Mather is a psychiatrist in his sixties. He is invited to take on a new group of patients. All he knows about them is that each one claims to have been abducted by aliens.

His wife, Deborah, is sceptical, but he gets going anyway. His patients tell mesmerising stories. There’s Anthony, for instance, who was camping one night by the Aral Sea; or Mary, the owner of a beauty salon, confronted by a ball of light moving towards her in her bedroom.

James’s research assistant Lucy Cheng sits in on each session. She’s an attractive young divorcee, who has made a study of anxiety, and who takes notes about each conversation.

With the sci-fi tinge, Capture seems worlds removed — no pun intended — from Lohrey’s 2021 title The Labyrinth, winner of the Miles Franklin that year. But who knows, maybe it isn’t.

Copyright is meaningless in the face of an AI ‘arms race’

7 May 2026

American author Scott Turow, in conjunction with five publishing houses, claims Meta used material protected by copyright to train its AI agent, Llama.

They make the suggestion the Facebook owner chose not to obtain permission to access the copied texts as they wanted to get ahead of the competition in what’s being called “AI arms race.”

Meta, however, sees their use of the copyrighted material as fair use, and claims courts have ruled this to be the case in the past. What will the court determine this time?

If there is indeed an AI “arms race” in progress, which is undoubtedly the case, I can’t see any developer of AI technologies doing anything that will compromise their industry standing. Even if that means doing the right thing by copyright holders.

Australian author David Malouf dies at age 92

29 April 2026

David Malouf, the Miles Franklin and Booker Prize winning author, died last week, Wednesday 22 April 2026, in the Australian state of Queensland.

If you’re unfamiliar with Malouf’s work, Sydney Morning Herald writer Nell Geraets has complied a list of seven “must-read” Malouf titles.

Spotify partners with Bookshop.org to sell paper books

21 April 2026

Spotify members in the United States and United Kingdom will soon be able to buy paper, or physical books, through the music streaming app, by way of a partnership with Bookshop.org, supporters of local and indie bookstores.

With just over seven-hundred-and-fifty million monthly active Spotify users, the partnership will surely be a shot in the arm for authors and book publishers.

It would of course be ideal if the joint venture (I hesitate to say deal, the word seems a little overused at present) more favoured indie and small publishing houses, but sales of any book, by any author, can only be a good thing.

Hopefully Spotify members worldwide will be able to buy paper books through the app eventually.

No basic income for Australian artists, but some writers can live in reduced rent accommodation

14 April 2026

Ireland pays a select group of artists a basic income for a three year period, an initiative the Irish government claims is a world first.

At present, the weekly value of the payment equates to about five-hundred-and-forty Australian dollars. You’d be hard pressed to live on that sort of money in Australia, but it’s better than nothing, considering no such scheme exists locally.

But there is a glimmer of hope. For some local creatives at least. The NSW state government is offering writers the opportunity to rent terrace houses in The Rocks area of Sydney, for two-hundred dollars (Australian) per week.

Spots are limited, and creatives still need a source of income, but the initiative is a (small) step in the right direction. To be eligible, a writer must be considered to be a literature practitioner:

In this instance, ‘Literature Practitioners’ are defined as: writers working in any creative form, including fiction, short stories, screenplay/drama, poetry, children’s books, and narrative non-fiction, and illustrators working in children’s books and graphic novels. The Program is open to NSW Literature Practitioners at any stage of their career.

The Titanic Story of Evelyn, a biography by Lisa Wilkinson

13 April 2026

Evelyn Marsden, a steward and nurse on the Titanic’s doomed 1912 maiden voyage, became known as the only Australian woman to survive the tragic sinking of the ocean liner.

Marsden helped distressed passengers, before eventually being told to get into a lifeboat.

Growing up, Marsden used to row in the Murray River, during family holidays, and would set herself the challenge of rowing against the tide. The skill proved invaluable as she helped row the lifeboat she was aboard, with forty other people, against the pull the sinking Titanic exerted on them.

Marsden was born in Stockyard Creek, South Australia in 1883. After the sinking, she married William James, a doctor who also worked for the White Star Line, owner of the Titanic.

They lived in South Australia for some years before moving to Bondi. Marsden died at age fifty-four in 1938, and is buried in Waverley Cemetery, with her husband, who died a short time afterwards.

Marsden’s life is now the subject of a biography, The Titanic Story of Evelyn, written by Australian TV presenter and journalist, Lisa Wilkinson, which is being published tomorrow, Tuesday 14 April 2026.

Meanjin magazine given reprieve by Queensland University of Technology

14 February 2026

The Australian literary journal closed late last year after then publisher, Melbourne University Press (MUP), said the long running publication was no longer financially viable.

Earlier this week, the Queensland University of Technology (QUT) said it had taken ownership of the magazine, and quarterly publication will resume.

There will no doubt be rejoicing in Australian literary circles at the news. MUP’s decision to close the magazine, which was launched in 1940, was roundly criticised at the time.

Sally Rooney books may be withdrawn from sale in UK bookshops

2 December 2025

The Irish author, whose titles include Intermezzo and Conversations with Friends, wants United Kingdom royalties from her novels, and any screen adaptations made there, to go to Palestine Action, a British pro-Palestinian organisation.

The British government however considers Palestine Action to be a terrorist group, and banned them earlier this year.

In sending Rooney royalty payments, her UK publishers, and the BBC, who co-produced the 2020 TV adaptation of Normal People, Rooney’s second novel, would be breaking terrorism laws. The author says this could result in her novels being withdrawn from sale in the UK.

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