How many people would ever wonder, even for an instant, whether the tools and equipment, the papers and the books, they worked with during their lives, would ever end up as part of a museum display, or an exhibition?
I wonder if Stanley Kubrick might have had such a thought? Would he ever have envisaged The Stanley Kubrick Exhibition, currently taking place in San Francisco?
For those of us with an interest in Kubrick and his work though, the show is surely a boon, but if you’re unable to attend, this video tour of the San Francisco show, hosted by Adam Savage, will give you an idea of what it’s about.
US filmmaker Wes Anderson references Stanley Kubrick in his work far more often than I realised. Of course, Anderson’s distinct style has its own way of making his influences that much harder to detect.
Kubrick is the name of a new series of works in progress, by New York City based comic artist and illustrator Tomer Hanuka, that are based, as the name would suggest, on films made by Stanley Kubrick. Thought provoking, no?
US film director Steven Soderbergh, maker of the Ocean’s Eleven series of films among others, has recut 2001: A Space Odyssey. His one hundred and ten minute re-working of Stanley Kubrick’s classic came about, it seems, from a desire to cross a line.
While ok, I didn’t find either “3001”, or the title that preceded it, 2061: Odyssey Three, to be that great, especially when compared with “2001” or even Clarke’s second novel in the series, 2010: Odyssey Two. I’ll refrain from making any comment on the film adaptation of “2010” however.
But let’s see, fingers crossed, and what have you… some adept adaptation writing might see “3001” turned into a decent screen production.
I knew that Stanley Kubrick spent a lot of time thinking about the music for his 1968 feature 2001: A Space Odyssey, but I didn’t for a long time realise that US composer Alex North had been commissioned to write an entire sound track that Kubrick later opted not to use.
North’s composition, in its entirety, can be found here. What do you think? While, for instance, I like “Space Station Docking” by North, that would have featured during the flight to the space station, there’s no going passed Kubrick’s ultimate choice, “The Blue Danube”.
[The] title card is set in Gill Sans, one of the all-time classic sans-serif fonts. Perhaps surprisingly, the zeroes in “2001” appear to be set with the Gill Sans capital letter O, rather than its zero character.
By the looks of it, this is the first in series of articles that Addey will be writing on the use of typography in science fiction movies.
What is important right now is the fact that the revelation of the physical appearance of the aliens in the book is one of the most shocking in sci-fi history: they turn on to look like the traditional human folk images of demons – large bipeds with leathery wings, horns and tails. Maybe Kubrick was amused by this shocking revelation and the effect that it may have had on the audience?
I think “2001” might have been a completely different film, likely far inferior, had they have not gone the way they eventually did, in this regard.