Elizabeth Sloane (Jessica Chastain) is a hard nosed, formidable, and much sought after political lobbyist, working in Washington, D.C., in Miss Sloane, the latest feature from British director John Madden. It opens in Australian cinemas on 2 March 2017.
The trailer looks promising, and I can’t think of a film Chastain’s been in that I didn’t like. All going well, I’ll be going along to a preview screening next week, and all things permitting, will write a review before it opens.
Hidden Figures is the latest feature from Theodore Melfi, who brought us St. Vincent, starring Bill Murray, and Melissa McCarthy, in 2014.
Here he explores the story of Katherine G. Johnson (Taraji P. Henson), an African American mathematician, who, during the lates 1950s and early 1960s, calculated flight trajectories for Project Mercury, the United States’ first human spaceflight program.
The second trailer for Dunkirk, the new feature from US film director Christopher Nolan. A story set around the evacuation of Allied forces from France in 1940. Due for release in July. Nolan’s work is consistently top notch. I’m looking forward to this one.
Live by Night is a gangster flick set in 1920s Boston, directed by Ben Affleck. Elle Fanning, Zoe Saldana, and Brendan Gleeson, have leading roles. See the trailer here. Opens in Australian cinemas on 26 January. If the stars align, I’ll post a review.
Affleck is certainly someone who doesn’t shy away from a challenge. Not only is he directing, he also wrote the screenplay, and has a starring role. I’d like to know what time management system he has going there.
This is a red-letter week for fans of the Star Wars films, with the first of the Anthology series movies, Rogue One: A Star Wars Story, opening on 15 December. I doubt I’ll be going to the one minute past midnight screenings that some cinemas are scheduling, but I’m sure I’ll have seen it by this time next week.
“I think the fans are going to love it. It’s very much the kind of movie they’ve been looking for.”
How circumspect is that? The Force Awakens wasn’t quite the film I’d hoped to see, and I think J.J. Abrams went a little too far with his penchant for rehashing earlier storylines. Whether Rogue One will be a good film, or a better one, remains to be seen, but there’s no harm in keeping our fingers crossed, and hoping for the best.
In the meantime, immerse yourself a in little more of the Star Wars hype, with another of the latest batch of Rogue One trailers.
Even though it was introduced as a fan-made clip, as I watched I thought, no, this must be an official trailer, for a Star Wars Anthology, or spin-off, film about Jedi master Obi-Wan Kenobi. But, no, it is not official, it is a labour of love by Canadian filmmaker Rich Williamson, for a would-be film that might be titled Kenobi: A Star Wars Story.
I wouldn’t be the least bit surprised if this went on to spawn an actual film. Or trilogy of films, a prospect that has been on the cards for sometime, from what I can gather. Ewan McGregor, who played Kenobi in the Prequel Trilogy films, is said to be interested in reprising his role, if production were to proceed.
Up until now we’ve only been treated to a couple of teasers. This is a more substantial outline of the story, and there’s even a glimpse of Darth Vader. Rogue One opens in cinemas on 16 December. Not long to go now.
It’s something I’ve been trying to do just recently, not look at trailers for films I plan to see. Not always possible, as many are played immediately before another film I am about to see, while at the cinema.
Trailers are ruining comedies by including all the funny parts. Seth Rogen: Your movies are funny, and I don’t really need to pay to see them anymore because all the jokes are free in the four Neighbors 2 trailers. Trailers are ruining horror movies by revealing all the scares. Trailers are ruining great movies. Almost all of Sicario’s best scenes are In. The. Trailer. … What?
I will post, however, the trailer for Love & Friendship, a comedy based on the writings of Jane Austen. Trailers should be more like this, arousing curiosity, without revealing too much.